Showing posts with label book marketing. Show all posts
Showing posts with label book marketing. Show all posts

Monday, July 13, 2020

Advice from the Middle: The Fallacy of Listening to Successful People

P.T. Phronk
A post by P.T. Phronk,
of Forest City Pulp fame
There are two types of people you hear advice from:

  • People who have been very successful—they'll tell you what to do.
  • People who have failed spectacularly—they'll tell you what to avoid.

You hear less from those of us who are succeeding at some times, failing at other times, and coming out somewhere in the middle most of the time.

Take book marketing as an example. If an author strikes it big, they’ll sometimes share what they think helped, including their marketing efforts. It’s very generous of them, as long as they’re not charging too much for books or courses, and often there is some good advice in there. But it may not be good advice for everyone, both because there is a big element of luck to success, and because what works for an author who has already had some success and wants more success may not work for an author who has had no success and just wants to reach some, someday.

On the other side, you hear about the big failures, often following the big successes. If someone is caught reaching the New York Times bestseller list by buying 10,000 copies of their own book, taking out a full-page ad prominently featuring the n-word, and acting creepy at conferences*, well, you’ll probably hear about that. Maybe not from the authors themselves, but you'll hear about what not to do. That, too, is not much use for those of us in the middle, mostly because we were already pretty sure those things are bad ideas—only success and power can rot the brain enough for certain bad decisions.

Listening to these people is actually a kind of logical error. Survivorship bias is often explained with the idea of analyzing where airplanes coming back from a war were shot:


It's tempting to look at the places with the most damage, and add more armour to those areas. But these are the planes that survived and came back, so they're giving you some biased advice. It would actually make more sense to beef up the areas without damage, because that's where there were shots to planes that got destroyed and never made it back.

I feel like a lot of authors put their efforts into beefing up the areas recommended by the most successful survivors, ignoring the areas where the countless silent failures and middling successes have run into trouble. As a practical example, a successful author may be building a nice home office from which they can launch a multimedia marketing campaign, while the regular authors around them have weak points in their basic sentence structure and vocabulary, and as a result are getting shot down by editors left and right. Pew pew! Should've put armour on your starboard grammar hole, now you're diving into an ocean of rejection letters, dumbass.

Author David McRaney has said that the "advice business is a monopoly run by survivors." I'd just add that in business, you sometimes get advice by the most spectacular train wrecks too, but that is just as biased.

Fortunately, there's a solution to this biased thinking that leads to bad advice. We need to hear diverse voices representing the full spectrum of experience and success. Even non-exceptional people can speak up with "here's what I'm doing, and here are the results so far." We can all choose diversity in who we follow on social media, and be bold enough to share our experiences even if we're not exceptional. I guess that's sort of what I'm doing on this blog. Hi!



* Actually, maybe this one is more of an effect of success, and the near inevitability of successful authors (mostly male) acting creepy kinda makes me want to stay in the middle for a while.

Thursday, September 14, 2017

Working With a Freelance Publicist

Authors who love doing marketing raise your hands? Anyone? Anyone??

I feel like a lot of my posts here at Across the Board are about marketing/publicity -- and about what NOT to do. But today I'm taking a slightly different turn and talking about outsourcing marketing/publicity. Yep, it's a thing. And while it may not be the answer to all of your prayers, it can help a lot. 

When I was preparing to launch The Castle Calder series, I decided to work with a publicist to help me maximize the exposure on the release of my new series. I got the marketing all wrong with the release of The Truth Series the first time around (hence a recent rebrand and relaunch, but that's another story altogether), but I didn't know how to do it right. So...I did what anyone else would do. I asked author friends for recommendations, reviewed websites and set up interviews with three different publicists.

(For the record, I ended up working with Linda Russell from Foreword PR (formerly Sassy, Savvy Fabulous) and she is, in fact, sassy, savvy AND fabulous. She specializes in new adult, contemporary and erotic romantic fiction and she's helped me a lot. So much that I've stuck with her through three releases and my rebranding.)

I see you over there shaking your head. You interviewed publicists? What on earth did you ask? Lots of things, the most important of which I'm going to list out here. Remember, you're hiring this person. You're going to pay them (we'll talk more about that in a minute). Pretend it's for something less personal You'd ask questions of the guy who's going to renovate your bathroom, right? When you're hiring a cover designer, you want to see samples of his/her work. Same with a publicist. Some "standard" questions I ask:

  1. How far in advance of release date do you prefer to start working with an author?
  2. Do you have a different monthly rate for release month vs. pre-/post-release? What is the difference in level of "service"? What is the minimum term you'll contract for?
  3. Can you give any data on how your efforts have worked in the past?
  4. Will you handle ARC sign up and distribution? How many ARCs will you try to give out before release? 
  5. What big blogs do you specifically target?
  6. Is any graphics/branding work included in the monthly fee? If not, is this something that can be arranged separately and at what cost?
  7. What is your preferred method of publicity? Facebook, newsletters, etc.
  8. How far in advance of release date do you need material from me for this to be most effective?
  9. Will I have access to the contacts and data related to my release?
  10. How do you prefer to be contacted and what should I expect from you in terms of level of contact? (If your publicist never checks email, but is on FB messenger like it's her job, you want to know that!)
I've seen people lament, "I hired a publicist, but this last book just tanked." There may be reasons for that (Hello, natural disasters and world politics) that have nothing to do with your publicist. Or it may be that your expectations aren't quite realistic. So, about that...
  1. You're going to have to work just as hard as your publicist to get the word out about your book. Working with a publicist is a team effort. She/he will guide you, but at the end of the day it's not a hall pass to escape marketing altogether.
  2. If you're not sure what to do that works, ask your publicist. She/he probably has tons of ideas about what you as an author can do to promote your release.
  3. The more prepared you are before you start working with a publicist, the better.
  4. It takes time to build an audience. Everyone wants to have that magic unicorn book that will hit a list and gain all the buzz, but most of us aren't magic unicorns.
  5. You're not your publicist's only client. Emailing ten times/day "just to check in" is distracting. Or annoying. Or probably both.
There ARE some horror stories out there and big, waving red flags. This list is by no means comprehensive, but I'd think twice (or six times) about:
  1. Companies that ask you for a large lump-sum deposit upfront. Paying for a month in advance is expected. Paying for a year? Not so much.
  2. Companies who don't have experience promoting in your genre. Linda, for example, is amazing, but if you write horror, she's probably not the right fit for you.
  3. Companies that contact you post-release after seeing your book mentioned somewhere. Their interest may be legitimate and it may be a great fit, but poaching a client from someone else doesn't feel like the right way to do business. If you DO go this route, at least make sure to do the above due diligence.
  4. Companies who won't/can't give you a written plan with measurable outcomes tied to your goals. If you don't have it in writing, you have no recourse. And if you don't have measurable outcomes (e.g., distribute 50 ARCs, increase Facebook author page likes by x%) that you're both working towards, you have no recourse if things go badly.
Is your head spinning yet? One of the reasons I've made each list progressively shorter is because it's a lot to take in. Working with a publicist is a big decision and an investment, so it's best approached like the revolving sushi counter -- with eyes open and chopsticks out so no one sticks any unagi on your plate when you're not looking.

Has anyone here worked with a publicist? Additional recommendations for any of the above or things we haven't covered here? I'd love to hear them all in the comments!

Thursday, August 24, 2017

#TeaserTuesday: Branding Your Book Launch

Full disclaimer #1: I don't know if other genres do the whole #TeaserTuesday thing on social media like the romance genre does. I read mostly romance and write romance exclusively, so that's where my main focus lies.

Full disclaimer #2: My "method" isn't scientific or even proven. But it is what I see lots of successful romance authors doing and why re-invent the wheel?

Full disclaimer #3: Even if you don't embrace #TeaserTuesday, branding your book launch doesn't seem like a bad idea?

I have a new book coming out October 11. Yay! It's called A BRIT COMPLICATED and it's the third book in my rom com series. I have high hopes for this book because I have such a crush on the hero, you guys. (Weird, but you get it, right?) But, I'll be honest, I'm also way more nervous about this release than I was about book two. A lot of series tend to fizzle -- and/or intentionally end -- at book three, and I'm not ready to stop living in this rom com world.

So, I've been thinking about branding. A lot. My series covers are branded really well and the third one fits in perfectly with these two:


(I can't show you yet, but my cover designer is on it, trust me.) So, opportunity #1 for branding -- that box is checked.

Then there's the whole #TeaserTuesday thing, another opportunity to brand my book launch pre-release. I realized pretty quickly I'd done a crap job with my past two releases. As in the branding and consistency in my graphics was nonexistent. I started branding the teasers of my last release, A BRIT UNEXPECTED, but when they didn't gain traction, I switched it up. Now when I look at my teasers collectively, you wouldn't even realize they were for the same book.


Bleh, right? Where's the branding? Let me answer that one. Aside from the book title, is none.

Seven weeks out from my next launch, I know I need to do things differently. So, I started looking at some of the best sellers in my genre. And guess what they do really well? They brand their teasers on their website, Facebook, Twitter, Instagram! They all match!

Look at Emma Chase's teasers for ROYALLY ENDOWED, her latest release:


You only need to glance at them to know they're for the same book. They all have the same white background, red writing and the book cover. 

Lauren Layne also does this well. Look at her teasers for READY TO RUN, her book that came out this week:


She does one better -- all of her teasers have one of two backgrounds. Only the blocked text changes! How cool -- and effective -- is that?

As I said in the beginning of this post, I'm not trying to reinvent the wheel, so I'm focusing on consistent branding with my upcoming launch. I spent last Friday night making picture teasers and ALL of them are similar to this:



Same fonts, same colors, same logo (which I'll switch to the book cover after my reveal). When I look in my Google Drive and see all the images side by side, I see consistency. I see the same look and feel, and the same font combination, which hopefully will help readers associate with my upcoming book. 

Will it make a difference in sales? That's still TBD. But it can't hurt, right? I'll report back post-release and let you know. In the meantime, I'd love to know more about your branding in the comments. Is this something you think a lot about? How do you brand your book launch?

Monday, August 8, 2016

Preparing For a Book Launch -- A Checklist

My new book, A BRIT ON THE SIDE, releases a week from today! Cue all of the flails -- and the to-do list! Here's a peek at mine:

1.  Create final-final version of e-book. I use Vellum to create my e-book files, which is SUPER easy. No coding or fiddling involved, and it even reminds you to include your "Also By" pages in the back of the book.

2.  Proofread final-final version of e-book. Again. For the 1,437th time. Just to make sure nothing's gone wrong in the file conversion.

3.  Upload to retailers. I upload to KDP directly and use Draft2Digital for the rest. Some vendors take longer than others (looking at you, iBooks), which needs to be taken into account when uploading files. Hint: uploading files on a Friday for a Monday release is NOT enough time for the book to be live on all vendors. I'm NOT doing a pre-order for my upcoming release, so this timing is key for me.

4.  Update author website with buy links. In theory, you've already updated your author website with the cover, Goodreads link, blurb and teasers, so all that's left to do is add those all-important vendor links.

5.  Create teasers. I'm not sure if this is a thing in genres outside of romance, but #TeaserTuesday is a BIG thing. Teasers start at least six weeks prior to release, but the week before calls for a flurry of teasers. Again, in theory you can create these anytime but if you're like me you're squeezing them in amongst everything else.

6.  Experiment with graphics for Facebook ads. I'm a big fan of Facebook ads and now Facebook has a new ad option called "Brand Awareness," which is a relatively low-cost way to experiment with graphics for ads before you're paying big bucks for clicks. I say relative because, well, even $3/day adds up. Basically, Brand Awareness delivers your ad to your target audience and you pay per estimated ad recall lift (EARL). You can read more about EARL here. Brand Awareness is a new advertising option on FB and I'm using it for the first time now, so I'll report back post-launch and let you know if I thought it had any impact.

7.  Create graphics and copy for launch-day Facebook ads. There's a lot of debate about direct-to-retailer links in ads vs ads leading potential buyers to your webpage, which then has all retailer links. My own practice is to go direct to Amazon and include links to other retailers in the ad copy. I've already tested my graphics (see #6 above), so now all I've got to do is wait for my retailer links and set my budget.

8.  Make a list of additional advertising venues. Books cannot be sold via Facebook alone and having a list of quality sites for advertising is key. This again requires buy links, but doing the research gets you more than half-way there.

9.  Create a release-day launch kit. Assume friends/bloggers/your weird Aunt Sally will want to share the news of your release. Better to have a bit of input into that, yes? I suggest creating a document to have at the ready that includes: your book cover, blurb, link to Goodreads, link to retailers, a few early review quotes.

10.  Reach out to blogger/author friends to gently remind them of your upcoming release. If you've had author friends blurb your book, offer them last-minute ARCs for their reader groups. If a blogger loved your book, offer ARCs for a giveaway. If you're active in a FB reader group, reach out to the owner of the group and ask if you can publicize in the group on release day. I HATE asking, but I've learned that it's definitely not the worst thing and often your offer is met with a "Yay! I don't have to plan a post today" sigh of relief.

11.  Draft email to send to ARC reviewers thanking them for advance reviews and asking them to post on retail sites. Goodreads reviews are fab, but let's face it -- we al want reviews on the 'Zon. Include retailer links to make this as easy as possible.

12.  Plan a celebration. In my opinion, the WORST thing to do on release day is to sit alone with your computer and continually check rankings and reviews. Much better to plan lunch/dinner/drinks with family or friends. Even better -- plan all three! You've just published a book and if that's not cause for celebration, I don't know what is!

In the name of shameless self-promotion, I've got my favorite teaser from  A BRIT ON THE SIDE to share with you! I've also got an ARC  to give away to one lucky blog reader. Just comment on this post and I'll pick a winner later this week. 

Monday, January 11, 2016

How to make a book trailer on the cheap

A post by Mary Fan
Book trailers are fun. No one can say for certain whether they actually help boost sales, but they
certainly don't hurt. And personally, I find them a lot of fun to make.

There are several different types of book trailer out there, and which book gets what type depends on budget. For instance, if you're a Big Cat Publisher like Hachette, you can made a full-blown Hollywood-style trailer with lights, camera, action, and all the bells and whistles:


If you you don't have $30,000 to spare (that's a guess... I have no idea how much a live-action trailer like that would cost, but I did work on a 2-minute animated promo video at my day job, and that cost $30,000), don't despair. You can still have your book trailer and watch it too.

Unlike movie trailers, which show actual footage from the film to tease the audience, a book trailer doesn't have to be precise. It's more about capturing the atmosphere and idea of a book than the actual events (similar to what many book covers do). The genre and mood matter more than whether the house depicted in the trailer looks like the house described in the book.

This is how to make a basic book trailer on next to no budget. All you need is a computer, simple video editing software (like iMovie), and an internet connection.

Step 1: Choose the music

Nothing sets a mood like music. Or sets up genre expectations. For example, when I worked on the trailer for Kelley Kaye's cozy mystery, Death by Diploma, we used circus music to depict the frenzy of the main character's life and the quirkiness of the situation she finds herself in:


The stock music site Audioblocks has tons of options, from epic orchestral soundtracks to soft piano melodies. And you should be able to sign up for a free trial, so if you just need to download one song, then your budget for music is exactly zero dollars.

Step 2: Write the script

A book trailer's script is similar to the back cover copy. It should introduce the main characters and central conflict in a nutshell and leave the reader wanting more. This is probably the hardest part about making a book trailer. You don't want the script to be too long, since people who watch trailers have short attention spans. Ideally, a book trailer should be under 90 seconds long (two whole minutes is pushing it).

The reason this step comes after choosing the music is so you can time the script to the musical cues (it's much easier to adjust text than to edit a sound file). Depending on what you're comfortable with, you can either narrate your book trailer, like this...



Or use text only, like in the first example. When using text, though, timing becomes even more important, since you don't want to bore your viewer by having them stare at the same line of text for 10 seconds, but you also don't want to make the text go by so fast, they can't read it.

If you have blurbs or customer reviews already, you can also include those, like this...


iMovie cheat: If you want to use a font that's not in their options but have it on your computer, you can type the text into a Word doc, then copy and paste it into iMovie. You won't be able to change the alignment from left, though.

Step 3: Choose the video and/or images

The next step is to find the right visuals to illustrate your script. These can be either videos, still images (though if you use stills, add a panning or zoom effect to keep the trailer from becoming static), or a combination of both. Again, it's more important to capture the mood of your book than illustrate the literal events.

For instance, when putting together the trailer for Traci Borum's Christmas-themed novel, Seeking the Star, we focused on finding images of winter and old-fashioned Christmas decorations, rather than trying to depict the characters or events.



Of course, this doesn't mean you shouldn't pair words with images that match when possible - just that it's not 100% necessary (and sometimes not 100% possible, depending on what kind of book you wrote. I had a lovely time searching for visuals for my space opera...).

The stock footage site VideoBlocks has a lot of options, though some types of footage are easier to find than others (basically, you're going to have an easier time if you're doing a contemporary novel than sci-fi/fantasy). You can sign up for a free trial, which means so far, no money spent. If there are items around your house or buildings in your area that you think would illustrate your story well, you can also take your own footage (you don't even need a fancy camera... since web videos are small anyway, a smartphone will do). For the Oracle of Philadelphia trailer, I whipped out my iPhone near some local gothic buildings to get those shots depicting hell (hell in the book is a gothic mansion).

For photos, you can get cheap stock images on Dollar Photo Club, or take pictures yourself (some of those Christmas pictures in the Seeking the Star trailer were ones I snapped at a tea house during my travels).

You don't necessarily need a lot of visuals. For the Sleeper Protocol trailer, we focused on the text and pacing, with a few images interspersed to bring the words to life:



Step 4: Edit it all together

Now that you've got the ingredients, all you have to do is piece it together! Personally, I like to match downbeats in the music to changes in text and footage, since it tends to emphasize the words and drama more. Especially when the music has very strong beats, like in this one:


When it comes to transitions, keep the pacing in mind. If you're doing a slower-paced trailer (like the one for Seeking the Star), page-turns and fades work well. Fast-paced trailers (like Seeing Evil) pretty much require cuts only. The music will largely dictate the pacing.

You can also use different text colors and effects (iMovie comes with a handful), though use sparingly, since too many sparkles become annoying.


Fair warning: The editing process will probably take longer than you think, just because there are a million ways to tweak the timing and trim footage. And you might end up adjusting the script slightly depending on how things are looking in practice.

That's it! After that, you have a book trailer!

Oh, and just because, here's the trailer I made for my very own Jane Colt trilogy...




Monday, September 14, 2015

How do you Pinterest?


When I first learned of Pinterest’s existence many years ago, I thought I had stumbled into the most amazing on-line world ever created. I love just about anything crafty, and I was shocked that I hadn’t discovered it sooner. Despite this, I never really embraced Pinterest. Most of you probably don’t know me well enough to understand how truly shocking this was.

I loved Pinterest, but for me it seemed like a never ending rabbit hole of inefficiency. I only created about three boards, and I only had a handful of pins in each board. Feeling disappointed in myself for not becoming an instant Pinterest success, I just stayed off it most of the time. I logged in when looking for something specific, but that’s about it.

Over the last few months, I’ve seen a few blog articles about how authors should be using Pinterest to promote their books. It made sense—it’s an easy site to use and not having a presence eliminates one of the paths for an author to connect with readers. I decided to do a bit of research (because deep down I’m still a data-geek) and see what authors were on Pinterest. Since I didn’t want to fall too deep down the rabbit hole, I decided to take a systematic approach. I opened Goodreads and pulled up the list of books I’ve read. Using that list, I searched for some of the authors on Pinterest. I looked up about 70 authors. Only about 27% were on Pinterest.

The fact that not many authors are using Pinterest to promote could be either a good thing or bad thing. The low percentage could be because it’s not an effective marketing tool, and in that case I shouldn’t waste my time. Or it could mean that it’s an underutilized tool and getting in before it becomes over used could play to my advantage. Since I already had an account, I decided to give it a shot. Over the summer I tackled the task of revamping my Pinterest account, and I’ve outlined my steps here in case you are looking to do the same.

Establish Your Account
OK, so this seems ridiculous to point out, but I’m a fan of complete checklists (so that means including the obvious). If you already have an account set up, then you need to ensure it’s set up to support your business.
  • Are you using your name or a nickname?
  • Is your website information listed?
  • Does the ‘about you’ section talk about your books/writing?


Research
As in many things, research is an important step that’s often overlooked. Set aside some time to go out and look at the Pinterest accounts of other authors. You definitely want to look at authors in your genre, but don’t forget to look at a few outside of it also. You can gain some great ideas for boards.

Determine Strategy
Once your account is set-up, you’ll need to determine what you want the public to see. Here’s where you need to consider the branding you’ve been trying to establish and be consistent. You also want to consider if you want to have boards on your books/writing only, or also include boards that give readers a glimpse into your personal life. Colleen Oaks is a good example of an author who has boards on both her writing and personal life. 

Set Up Your Boards
With a solid strategy in place, it’s time to start creating your boards. I decided to remove my old boards, but you don’t have to. That’s part of your strategy planning. You can create a board for anything. For example, one of the unique boards I’ve come across that I love is by James Patterson. He has a board titled, “My Characters’ Favorite Ice Cream Flavors” What a fun idea! I might have to steal, er borrow, this board idea. Here’s a snapshot of my boards to give you an idea of things you can include. This is just a start for me, and I’ll likely add more as I become more comfortable with the possibilities.



Here are a few things I learned as I worked through the process:
  • I started all my boards as ‘secret’. This meant I had time to make sure everything was the way I wanted it before anyone could see the boards. It kind of took the pressure off!
  • Make sure you have solid names for each of your boards. Each board should have a theme, and the title should make it clear what that is. Rachel Hollis is a great example for how boards can be organized. I admit I kinda fell in love with her organization while I was poking around her site!
  • Make sure you have a good description for each board. You also need to select the appropriate category for what kind of pins will be in that board.
  • If you are a new author, you may want to consider having at least one ‘general’ board. Good examples of this are motivational quotes, recipes, recommended reading, etc. These usually contain pins that others like to repin. The more people repin from your boards, the higher chance people will start to follow your boards—and hopefully that will translate into future readers. The goal for a general board is visibility.
  • Once you’ve decided on all your boards, you can go into ‘edit’ mode and move them around to put them in the order you want them.


Start Pinning
Now that you have boards, you need pins. You can repin from within Pinterest, pin from other sites on the Internet, or you can upload images from your computer/device. A few things to note:
  • If you don’t like the image from a pin through a web link, you can create your own and manually upload. Just don’t forget to add in the web link in the details! I did this for my book review links. When I pinned directly from the review site, the image was usually my book cover. That’s great, but suddenly I had a bunch of pins that looked exactly the same. I created a new image with the cover and reviewing blog’s logo for each and then used that.
  • Make sure you go into the ‘edit’ feature and add a description for each pin. Be thoughtful here—you don’t want it to be too long, yet detailed enough to make people want to click on it. The picture above shows an example of this as well where I quoted part of the review for the pin description.
  • Each new pin you add is placed before the previous pin. Unlike the boards, you cannot reposition your pins within the boards. In some cases this won’t matter, but in some cases it might (such as if you’re pinning blog posts and you want them to appear in chronological order). If order is important, pin the oldest things first.
  • Include some pins with information that your readers won’t be able to find on any of your other sites. For example, in some of my boards I’ve included links to the real life locations that inspired certain parts of the book. Give them a reason to visit your Pinterest site.


Promote!
Congratulations, you now have a Pinterest account specific to your books/writing! Now it’s time to let people know about it. Besides sharing the news on your social media site and newsletters, don’t forget to include a link to your Pinterest account from your website. Oh, and don’t forget to make your boards public if you took my approach and started all your boards as ‘secret’.

Maintenance
As with any online presence, it’s important that you have a plan to remain active in Pinterest. Set aside some time to add new pins to your boards. Have a look at what pins are getting repined the most. And most importantly, have fun!

Are you on Pinterest? Have you seen a clever idea for a board from another author? If you’re not on Pinterest (either as an author or as a reader), why?

Feel free check out (and follow) my boards, and if you’re on Pinterest let me know how I can find you!

*Note: If you are not using Pinterest and want to but don’t have the time/knowledge to put into creating it, check out the options offered by independent services such as Inkstone Strategies.


~Carrie
 
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