Is there anything better than a shiny new book cover? Especially when it's YOUR shiny new book cover? Whether you're traditionally published or an indie author, the thrill of seeing that email in your inbox with the subject line: "Cover Draft" never gets old.
The possibilities are endless before you open that email. It's the first visual representation of your book baby. The excitement is palpable.
Then you open the email.
And it's not...all that. It's not even close to what you were imagining, despite the detailed cover form you filled out. Why? Why is this draft cover in your inbox so far from your vision? You filled out the cover form!! You were perfectly clear.
Weren't you?
Chances are, you were very clear. To your brain twin. You know, that person who thinks exactly like you do and knows that when you specify a guy who's kind of a cross between Channing Tatum and Liam Helmsworth, you really mean Henry Cavill. He's not doing book covers (but then again, Beyonce just did a wedding, so anything's possible, right?), but you figured there was a stock photo model who would pass. And this guy...could not be mistaken for Henry Cavill. Ever.
So, what to do?
After you freak out - and send the photo to a sympathetic friend - take another look at the cover and ask yourself:
The possibilities are endless before you open that email. It's the first visual representation of your book baby. The excitement is palpable.
Then you open the email.
And it's not...all that. It's not even close to what you were imagining, despite the detailed cover form you filled out. Why? Why is this draft cover in your inbox so far from your vision? You filled out the cover form!! You were perfectly clear.
Weren't you?
Chances are, you were very clear. To your brain twin. You know, that person who thinks exactly like you do and knows that when you specify a guy who's kind of a cross between Channing Tatum and Liam Helmsworth, you really mean Henry Cavill. He's not doing book covers (but then again, Beyonce just did a wedding, so anything's possible, right?), but you figured there was a stock photo model who would pass. And this guy...could not be mistaken for Henry Cavill. Ever.
So, what to do?
After you freak out - and send the photo to a sympathetic friend - take another look at the cover and ask yourself:
- What do you like about the following?
- Colors
- Fonts
- Cover model(s)
- Background
- Title treatment
- Title placement
- Author name placement
- What, specifically, do you not like about the following?
- Colors
- Fonts
- Cover model(s)
- Background
- Title treatment
- Title placement
- Author name placement
The more specific you can be about what you like and don't like, the easier the conversation with your cover designer - who is NOT your brain twin after all - will be. If you're traditionally published, the changes you're able to make may be limited, which is why it's even more important to be able to dive into specifics.
If you're an indie author, though, this is only the beginning. It may be that draft number one of your cover is a starting point for the conversation about everything you do NOT want your cover to be, but chances are, there's something in the existing cover that you'll want to keep and your designer needs to know that.
Of course, they also need to know what's not working for you. A black background on a rom com can work, but only if that's your vision. A swirly curly font on a sci-fi novel probably doesn't work very well. As for that cover model...
You can save yourself a world of frustration by diving into stock photo sites yourself, to give your designer some options. Deposit Photos, iStock, and Shutterstock are the favorites, but there are others. It's a minefield, but also your best bet for communicating your vision.
Speaking of vision...there's a lot of differing opinions about providing a cover mock up to your designer. *I* think this isn't a bad idea if you've got a very specific vision. But I also think the cover mock up is best provided in the early stages, not after a first draft. I've given my cover designer a mock up and gotten a much-improved version of said mock up, but I've also provided a mock up and never heard from the cover designer again, so this is definitely a "tread carefully" area.
At the end of the day, the cover designer is an artist. Just like you. His/her vision for your cover might not match yours, but you both want the same thing - a cover that will sell the hell out of your book. Chances are excellent you'll get there - as long as you're clear in your communication through the drafting process.
What's your top tip for working with a cover designer? And, while you're at it, who do you recommend?
1 comment:
For my three published books, I didn't go in with much expectation and I'm glad. I figured I was hiring a professional for a reason. She was able to come up with ideas I never would have been able to vision. I love the covers and each time I only had to ask her to make small tweaks. Now for my current WIP, I do have a vision. I know that I want a tree to be dominant on the cover - but beyond that I'd want the designer to bring it to life. I think the key is to make sure the designer understands the book or at least the feel and the key elements of the book. Oh, and Scarlett from The Book Design House (https://www.thebookdesignhouse.com/) did all my covers.
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