Thursday, April 19, 2018

That Moment When You Finally Get To Visit The Place You've Been Writing About: Part 1


Hi all! I'm so excited to write this post today. I'm finally going! To the place I've been writing about.

A little background before we get there. I've mentioned my epic experience with my WIP a couple of times here at Across The Board, but just in case you missed it... I started writing my first (and only) book back in 2005. So thirteen years ago, give or take. I know. That's a really long time. It wasn't a constant writing every night thing. In fact I've trashed four different drafts  (I had a lot of learning to do), started five different jobs, moved six different times during that period-- just a lot of transition. But I did finally finish a rough draft (which is worth a lot more than an unstarted/unfinished one, right?) a month before my son was born (so 3 years ago)-- and I honestly haven't done much with it since. I have slowly been going through and editing, slowly being the key word.

I can't exactly say why. Well, I guess I can. My writing routine (pre-kid) was 8pm to whenever I had 1,000 words down. Well, that routine has been replaced by another. Dinner for the kid, bathtime for the kid, bedtime for the kid, and by then I'm spent. He was also a pretty sick kid, so it's been a tough go all the way around. But everyday he's getting easier to handle-- and I'm feeling the itch to finally finish this project that's been hanging over my head for the past century. And I'm hoping I'm finally doing something that will give me the motivation to start. I'm finally going to Space Camp, which is where my Middle Grade novel starts and finishes.

For those of you who don't know, Space Camp is kind of an overnight, junior astronaut training program for kids (there was a movie made about it in the 80's), but it's also a place you can visit/tour/ride rides on a daily basis. I'm writing this post while I'm on vacation in Destin, Florida. Well, on the way back my wife and I have decided we're going to drive two hours out of our way to visit Huntsville, Alabama so that I can do some book research and hopefully get the motivation I need to finish my book. I'm so excited I can hardly stand it! I've studied Space Camp through Google Earth so many times I've lost track. But to be on the ground, in the place that I've imagined/written about so many times is going to be amazing. I'm definitely going to take a ton of pictures and report back on next month's post (That Moment When You Finally Get To Visit The Place You've Been Writing About: Part 2).

Anyway, below is the premise of my MG novel if anyone is curious:

Working Title: Mac Magellan and the Gathering of Galaxies

Premise: The first child born in outer space ends up at Galaxy Camp, Space Camp's counterpart in  the stars, where he must protect a peaceful gathering of aliens from an ancient evil born of black holes

So if you all have ever had a similar experience, where you've gotten to physically visit a place you've imagined in your mind/written about, please share in the comments below. And as always, thanks for stopping by!

Monday, April 16, 2018

New Release: CLICKERS FOREVER

Another quality post brought to you by Steve!
amazon.com/author/kozeniewski

Hey everybody!  I was delighted and honored to have my short story "Deep into that Dark One Peering" included in CLICKERS FOREVER: A TRIBUTE TO J.F. GONZALEZ.  The anthology is available as of today on Amazon and Barnes and Noble in paperback and ebook.  You can also add it to your Goodreads TBR pile.


For those of you who may not be regular horror readers, J.F. Gonzalez was one of the seminal authors of the young millennium.  Unfortunately, he passed away from cancer three years ago, tragically young.  Still, despite his premature passing, he had a wide and ranging body of work, writing in the sub-genres of occult horror, post-apocalyptic horror, cosmic horror, and serial killer horror.  He was perhaps best known, however, for his monster horror, in particular, the CLICKERS series, which consists of:

CLICKERS
CLICKERS II: THE NEW WAVE
CLICKERS III: DAGON RISING
- CLICKERS VS. ZOMBIES (a crossover with THE RISING)

And this anthology is a spiritual successor to those.

The clickers are small (well, they range in size, but usually start out small) virulently venomous crustaceans usually described as a blend of lobster, crab, and scorpion.  You can see a picture of one with its claw around the Statue of Liberty's head in the cover above.  So you can see why I say they range in size.  :)  They often come in waves for some "Gremlins"-style muncher horror, but the appearance of gargantuan clickers also allowed for some "Godzilla"-style kaiju horror.

The reason for the various predations of the clickers onto dry land vary from story to story.  They were initially implied to be a colony of prehistoric throwbacks, hidden away deep in the ocean somewhere (think a more vicious coelecanth) who surfaced due to earthquakes or human activity disturbing their home.  Sometimes they're also associated with the occult, and believed to come from alternate dimensions, or due to black magic.  Commonly, they're driven on shore deliberately by the iguana-like Dark Ones, a more intelligent and overly malicious race of aquatic monsters.  You can see a Dark One in the foreground of the cover, holding a semi-organic trident.

"Deep into that Dark One Peering" was my chance to take a crack at what the psychology of a Dark One raised by humans would be like.  Jade, my viewpoint character, was taken as an egg during one of the various incursions of the clickers and Dark Ones.  She was "raised" by a cruel scientist who insists on being treated as her father rather than a slavemaster, which would be more accurate.  I've always enjoyed the chance to humanize monsters and to make monsters of humans, both of which I got the to do with this short.  And, of course, I didn't fail to take the opportunity to stage a clicker rampage at the end.  (It just wouldn't be a clickers story without one, right?)

But the anthology's not all just about me.  In fact, I think it's fair to say I'm one of the also-rans.  Consider this lineup (and this is just a brief highlight reel):

Jonathan Maberry
Monica J. O'Rourke
John Skipp
Mary SanGiovanni
David J. Schow
Kelli Owen
Gabino Iglesias
Jonathan Janz

These are some of the biggest names working in horror today.  It's a veritable embarrassment of riches.  Not to mention a posthumous piece by the man himself.  How I got in there, I can only imagine.  Must've slipped by the post somehow.

All the proceeds from this anthology are going to benefit Gonzalez's family, so I hope you'll consider picking up a copy.  And remember to share online and in real life.  Word-of-mouth is vitally important for the success of any book, and I'm particularly rooting for this one be successful for the Gonzalezes.  Thanks, everybody!

Thursday, April 12, 2018

Bonny McClain - Humble, Terrific, Radiant

By Cheryl Oreglia



My author du jour is Bonny McClain. She hosts a wildly successful blog called Data & Donuts. I met Bonny at the first ever OnBeing Gathering, Krista Tippett’s invitational conference, held at the beautiful 1440 Multiversity Campus. An encounter with Bonny is simply an extraordinary encounter, she is the epitome of Critical Yeast (a term coined at the conference), as she commonly “rises up” to protect the needs of the most vulnerable in our society.  

I sat down next to Bonny at breakfast on a whim, she is statuesque, bright eyed, with dark curly hair. Immediately I noticed (appreciated) her accepting, engaging, and warm nature. In fact the Chaplin sitting next to me whispered, “I am thrilled she is not an introvert,” we both smiled, and rested in Bonny’s unique charm. If you haven’t stopped by her amazing blog - Data & Donuts - your depriving yourself of a unique treat. 
“I organically feel like critical yeast and knowing there are like-minded people feeling deeply, and meaningfully, and desperately trying to make a difference is basically the world to me,” in reference to the OnBeing Gathering 2018.
When asked about significant childhood influences Bonny responds, I was always an avid reader, my earliest memories include Pippi Longstocking. (Maybe where she got her sense of adventure?) I grew up happy in spite of a tumultuous home life with an alcoholic dad. When I was working as a temp in a financial services company in San Francisco, early 90’s, I was invited to a cocktail party. Discussion about the crisis in Bosnia became my Tara (Gone with the Wind). I quietly vowed ‘to never read fiction again’, I felt dumb and uninformed, from that day forward I read to learn…

On becoming a writer Bonny says, “I was writing my thesis - wait for it - Constraints of Landscape Pattern and Fish Mobility on Ecological Genetics of Lake Trout (Salvelinus Namaycush) and Arctic Char (Salvelinus Alpinus), and figured I nailed it. I won a 5th grade English award so was pretty chuffed, when my advisor edited out all the flowery prose and carefully selected adjectives and adverbs I was shocked but intrigued. Apparently, science writing was a thing onto itself and I sucked at it.” 

But this is not the case with Bonny today, “I enjoyed the writing that followed even more than when the subzero fridge went on the fritz in the middle of the night and I needed to rescue DNA samples. Okay, maybe that was too easy. I enjoyed writing more than the strange fruit fly mutants that hitchhiked home in my long curly hair only to be liberated in the hallways of our house. I definitely enjoyed it more than bench science, so following graduation - I wrote.” 

Bonny was a medical writer for many years. She notes, “as an employee of academia, industry, agencies, medical education companies and even a freelancer in health economics, policy, and clinical medicine (Cheryl inserts, don’t let this scare you off, she is actually quite normal) I wrote whatever I was asked. Until I got curious. I started looking at the data and asking questions. Initially brushed aside with ‘oh that is too technical, don’t worry about it’ I saw disparities and myopia in the important data and what was being written or reported. I write about healthcare from the intersection of health policy, health economics, and clinical medicine for the data curious.” 

There is no way around it - Bonny is a science freak (I mean that in the best way). She says, “my first opportunity as a full-fledged medical writer was writing about HIV and Aids research. The geographic gods smiled on me as I was in close proximity to groundbreaking research at Chapel Hill - opportunities at Gene Therapy Center followed - I was hooked.” 

Bonny’s audience is unique, largely CEO, healthcare, and writers/journalist following on LI - as a percentage of the whole (and me). She would like to see her audience “as anyone with a curiosity around how the sausage is made in healthcare”. 


Her goal is to ask better questions and question established answers (what a rebel). She says, “I first heard this when the BMJ (British Medical Journal) convened a bunch of journalists together to figure out how we can best make a difference...I think of it like telling important stories about data - and looking at the data that drives stories in healthcare.” Bonny is a data visualization expert first but writing is how she communicates and tells the story, she says, “data needs a voice.” 

Bonny shows up. She writes everyday. She reads voraciously. It’s important to Bonny to be authentic and earn the trust of her readers. She shares everything for free and only charges when clients “need to scale beyond their abilities.” She has press credentials and tries to be the “ears” on the ground for her network. She travels so they don’t have to. (Track Bonny down when she dips into your area, she’s always happy to meet for coffee and donuts!)

Bonny likes interesting people (perhaps that’s why she bought me a glass of wine). She says “if they happen to write - and most do - all the better.” She has a page on her blog called “for writers only” full of engaging and practical information. Check it out after you finish this article - clearly.

I’m a little jealous that Bonny is able to read three books a week, “the paper kind, not e-books. Electronic devices are for looking at what your friends ate for lunch - not learning. Lol.” Reading and writing on a feedback loop interspersed with podcasts help to strengthen and stretch her skills. “Mo’ curiosity, mo’ better writing,” I quote.

When asked about writing rituals Bonny responds, “ I head out for 1.5 to 2.5 hour runs several times a week (over achiever much - just saying). I queue up podcasts and let the system thinking begin. My apple watch (and Siri) allows me to send thoughts to Notes in Apple so all my insights are waiting for me back at the office. I love to write in my office. Obviously, I need to adapt for the road so that is where I need to be mindful of what I can’t live without - and pack it up. Usually a microphone, audio recorder, laptop, and iPAD (works as second monitor).” She’s totally killing it.

One of my favorite things about Bonny is our mutual love for Seth Godin, if you know him, you love him (even though he did not agree to an interview - I’m the forgiving type). “Seth Godin is my spirit animal. He takes the form of the little duck I gifted him at OnBeing Gathering. I hear his voice when I am tempted to measure value based on clicks, likes, follows, whatever. Over the year I have gained focus and direction as to my purpose. It isn’t for everyone and now I can say - well, I didn’t make it for you. It’s more fun out here on the edges anyway...no need to race to the bottom or toward mediocrity (a Sethotomy).” Bonny does use social media as a distribution channel. Her RSS feeds have surpassed any of the social media platforms but she enjoys the engagement and has been able to meet “far-flung like-minded folks.” 

Bonny seeks “active engagement and dialogue extending beyond just my brain.” Most recently she has been reading a book by self-described renegade economist Kate Raworth, Doughnut Economics - 7 Ways to Think Like a 21st Century Economist,” and this has been her talisman (I just finished Charlotte’s Web - in fact humble, terrific, and radiant would be good words to describe Bonny McClain - spoiler alert - the spider dies!)

When asked to consider how the OnBeing Gathering changed, illuminated, embodied, directed, or oriented her work towards civil conversations, Bonny said, “I write against the prevailing ideology in healthcare. If I were a tattooing type I would have 3 - It is difficult to get a man to understand something, when his salary depends upon his not understanding it - Upton Sinclair." She believes this is what fails the patient at the point of care as well as the healthcare provider. (That is a rather long quote? Along the arm? Down the leg? As a belt? I’m curious?)

Her second tattoo would definitely be an anklet “Forgiveness is the scent the violet imparts to the heel that crushes it.”

Her final tattoo I see in elegant print along the backbone, “There will come a day I won’t be able to do this. Today is not that day…”

Follow Bonny on Twitter.




If you were the tattooing type what would your image contain? 

Me? "Everything is copy" - Nora Ephron (at the base of my backbone)



I'm Living in the Gap, enjoying a Donut with Bonny, drop in anytime. 

Monday, April 9, 2018

How I Learned to Embrace Romance: A Personal Romance Evolution (Guest Post with Karissa Laurel)

Another quality post brought to you by Steve!
amazon.com/author/kozeniewski

Hey everybody!  Let's give a kindly Boarder (Boardie? Boardigan?) welcome to today's guest, the extremely talented Karissa Laurel!  Let's meet her briefly then jump right in to the festivities.

About Karissa Laurel:


  Source

Karissa Laurel lives in North Carolina with her son, her husband, the occasional in-law, and a very hairy husky named Bonnie. Her favorite things are dark chocolate, coffee, super heroes, and "Star Wars." She can also quote "The Princess Bride" verbatim. Karissa is the author of two novel series: THE NORSE CHRONICLES, an urban fantasy trilogy from Red Adept Publishing; and THE STORMBOURNE CHRONICLES, a young adult fantasy series from Evolved Publishing. The first two books, HEIR OF THUNDER and QUEST OF THUNDER are currently available, and Book 3, CROWN OF THUNDER, is coming soon. To find out more about her books and writing, visit her website, or follow her on Facebook, Twitter, and Instagram.


How I Learned to Embrace Romance: A Personal Romance Evolution 


I just signed a publishing contract for my first romance novel (TOUCH OF SMOKE, from Red Adept Publishing.)  It’s not the first book I’ve ever published, nor the first with romantic subplots. It is, however, my first novel with a storyline dedicated solely to the development of the romantic relationship between the two lead characters. TOUCH OF SMOKE is a romance in the sense that satisfies the major definitions of the genre:

1. If the romance is removed, the story falls apart; or there’s no story at all.

2. The novel ends with a Happily Ever After (or at least a Happy For Now) resolution for the two main characters.

Why is the fact that I wrote a romance novel worth mentioning when there are already thousands on the market? Because I want to talk about how long it took me, as both a reader and an author, to reach the level of confidence and understanding required to write this novel. Not because I doubted my writing skills, but because I had, for so long, held the belief that romance was a lesser genre. Something to be talked about with a blush, shifty eyes, and the disclaimer of “guilty pleasure.” It’s fluff. It’s forgettable. It has no lasting impact.

Boy, was I wrong.

I don’t remember the first romance novel I ever read, but I’m pretty sure it was one by Jude Deveraux back when I was in high school. I was immediately hooked and read her entire catalogue—whenever I could find her books at the local second-hand book store or library. Add Nora Roberts, Fern Michaels, and Diana Gabaldon’s OUTLANDER series, and you could probably say most of my leisure reading was devoted to romance in one form or another.

After college I set out to rediscover my love of reading, having abandoned most for-the-fun-of-it books during those years of academic study. I found myself devouring John Irving and Margaret Atwood novels and Che Guevara biographies—all highly recommended, but, you know... “serious.” Many of those post-college reading years blurred together. I’m sure I mixed in plenty of commercial fiction, but nothing stands out in my memory as much the moment that a co-worker put TWILIGHT into my hands.

To be clear, I’m not discussing the merits, or lack thereof, of TWILIGHT. I’m only saying that novel marked a benchmark moment, a clearly defined instant when a single book triggered my re-connection to romance. In fact, because of TWILIGHT, I was reading more of everything, particularly books in the speculative fiction and YA genres. And when I set my eyes on my first urban fantasy novel (DARKFEVER by Karen Marie Moning), given to me by the same friend that gave me Twilight, I knew I had found my genre heart-song.

Intermixed with my romantic reads during high school, I was also sucking down Christopher Pike, Stephen King, V.C. Andrews, and Dean Koontz. Looking back, it makes sense I would be drawn back into a love of books with paranormal elements, but it had not consciously occurred to me that anyone could successfully combine paranormal with romance. The results of mixing those genres by authors like Moning, Ilona Andrews, and Richelle Mead were so compelling that I found myself eager to write my own stories.

But even then, I wasn’t quite willing to go all the way. I was still hearing voices in my head saying romance wasn’t legitimate or respectable. Intent on honing my craft, I dove headlong into writing short stories for professional, speculative fiction markets. Those markets leaned more towards the literary, and, in my mind, there was no place for “common” romance among the more erudite offerings. Meanwhile, I published my first novel, MIDNIGHT BURNING, which relied heavily on Norse mythology, magic, and adventure. I allowed my characters to pursue romantic sub-plots, but never at the cost of the main story. I was still reading plenty of romance, but writing it was a line I couldn’t allow myself to cross.

But around that same time my network of writing friends was expanding. I started spending more time on Twitter, stalking other authors, reading their threads, their links, their opinions and experiences. I was looking for advice in general, but found myself paying attention to what some of those writers had to say about romance. Thanks to those influential Twitter accounts (particularly Bree Bridges aka one-half of the author team called Kit Rocha, Tessa Dare, Courtney Milan, and The Ripped Bodice), and critique partner/mentors Mary Fan and Erica Lucke Dean, my views and understanding of romance—in both the literary world and in the feminist movement as a whole—evolved.

Many things to which women have devoted their time, money, and passion have been regularly dismissed as irrelevant or less-than, and it was a trap I had fallen into. Why couldn’t something mostly written by and for women be as legitimate as any other genre? And was I going to allow myself to perpetuate that stereotype?

Yes, not all romance is good (What genre is always good?), but when it is, it can be powerful. Oh, the things one can do under the guise of a “simple love story.” Oh, the messages of empowerment, equality, and respect that could be shared among women in a medium dedicated almost expressly to us. Studying those authors also showed me how much work still needed to be done to expand our understanding of women’s sexuality, agency, and consent, and how romance novels could be a critical tool in that endeavor.

I also learned that if a romance offers nothing more than the comfort of a guaranteed happy ending, that’s okay too. More than okay. Happily Ever After is sometimes the perfect balm to the soul of the tired and weary. Comfort and pleasure are legitimate reasons to both read and write—a validation I believe in, but am still working to internalize.

So, yeah, in TOUCH OF SMOKE, a boy and a girl fall in love and go on to live happily ever after. This novel has, I hope, all the things that make any story compelling such as the innate conflict that arises when two people start a new relationship and explore complex emotions and universal themes like trust, loyalty, respect, and forgiveness—with the added tension of will they or won’t they fall in love. TOUCH OF SMOKE is a romance, and I’m finally proud to admit it.

For more thoughts and theories on romance that have recently influenced me, see:

· A [Twitter] Thread on the Notion that Romance Readers Need to Be Challenged by Tessa Dare.

· “Romance as Resistance” by David Canfield (Entertainment Weekly, November 03, 2017).

· A thread on how romance novels subversively teach women to have sexual expectations by Bree Bridges: https://twitter.com/mostlybree/status/956159765943668740

· Trashy, sexist, downright dangerous? In defence of romantic fiction by Dr Elizabeth Reid Boyd.

· The Romance Novelist’s Guide to Hot Consent by Kelly Faircloth (Jezebel, February 14, 2018).

· It’s Still Complicated: Romance Publishing by Betsey O’Donovan (Publisher’s Weekly, Nov 10, 2017).

About THE NORSE CHRONICLES:


38669740

MIDNIGHT BURNING

Solina Mundy lives a quiet life, running the family bakery in her small North Carolina hometown. But one night, she suffers a vivid nightmare in which a wolfish beast is devouring her twin brother, who lives in Alaska. The next morning, police notify her that Mani is dead. Driven to learn the truth, Solina heads for the Land of the Midnight Sun. Once there, she begins to suspect Mani’s friends know more about his death than they’ve let on. Skyla, an ex-Marine, is the only one willing to help her.

As Solina and Skyla delve into the mystery surrounding Mani’s death, Solina is stunned to learn that her own life is tied to Mani’s friends, his death, and the fate of the entire world. If she can’t learn to control her newfound gifts and keep her friends safe, a long-lost dominion over mortals will rise again, and everything she knows will fall into darkness.

ARCTIC DAWN

Alone and exhausted after her month-long sojourn as a shooting star, Solina Mundy flees to southern California to lie low, recuperate, and plot a survival strategy. The one person she trusts to watch her back is her best friend, Skyla Ramirez. But Skyla has been missing for weeks. The arrival of a dangerous stranger and the discovery of a legendary weapon of mass destruction force Solina out of hiding and back into the fight for her life.

Solina knows she won’t last long on her own. She must find out what happened to Skyla and unite her contentious allies if she hopes to track down this devastating weapon before her enemies use it to burn the world to ash.

MOLTEN DUSK

While recovering from a devastating betrayal, Solina becomes increasingly drawn to Thorin as he helps her hunt down Skoll, the mythical wolf who vowed to kill her. If she can find and destroy the beast, she’ll bring a swift and brutal end to her enemies’ schemes. But nothing ever goes as planned in Solina’s strange new world.

During her search for Skoll, Solina uncovers a plot to unleash a battalion of legendary soldiers and launch an apocalyptic war. Before she and her allies can locate the fabled army, several ghosts from her past return to haunt her. Solina must fight for life and the fate of the world, or her hopes for love and a peaceful future will go up in flames.

Thursday, April 5, 2018

Back Jacket Hack Job -- Title Hack Edition

So, it's my turn to do a Back Jacket Hack Job, which is where we Boarders take a turn writing our version of the "real" back jacket copy of the book of our choice. I have to be honest...I've been writing back jacket copy IRL and it's pretty terrible, so I'm going to spare you my version and twist it up a bit. Welcome to BJHJ - Title Edition! 

And for what it's worth, these are all 5-star reads from yours, truly. So, you know, go check them out.


This one is an easy one. ELEANOR OLIPHANT IS NOT FINE. NOT AT ALL.
(If you haven't read this book, it's *amazing*. Move to the top of your TBR right now.)


This one could be called WHEN THAT SPAM EMAIL ISN'T SPAM AT ALL AND YOU'RE REALLY BETROTHED TO AN AFRICAN PRINCE. (Too long? Okay, fine, but this one just might have you giving your spam a second look. Just saying.)


Let's call this one SUPER COOL HACKER GIRL IN TOKYO. (True confession: I haven't read READY PLAYER ONE yet, but I'm guessing fans of that are going to love Lu's latest. Video games, a kickass female hacker and Tokyo -- what's NOT to like? Also, FWIW, The Boy loved this one, too.)


Without a doubt, the best hacked title I can think of for this YA is WHAT PRICE BEAUTY? (I've not read a dystopian like this and I venture to say unless you've read this one, you haven't either.)


This one is another easy one. Hacked title: YOU WILL SWOON. (I'm a huge Lauren Layne fan and this is absolutely my new favorite. I actually got it from the library and then bought it b/c I loved it so much.)


To finish it off, a thriller/suspense. I'd title this one I BET THIS KIND OF THING HAPPENS EVERY DAY AND WE HAVE NO IDEA. (I gravitate towards romance, obviously, but I belong to a book club that gets me out of my comfort zone and this one was one I would NEVER have picked up on my own. But I read it in a day and I bet you will, too.)

And there you have my 6 title hacks. Have you read any of these and would mash up a different title? Or do you have a great alternative for a book you've read lately? I'd love to know in the comments!


Monday, April 2, 2018

Plotter? Pantser? Neither? Both?

A post by Mary Fan

For as long as I remember writing, I’ve been a neurotic outliner. Something about a blank page just terrifies me, and I can’t seem to get anything down unless I know exactly what I’m doing going in. I’ve written blog post after blog post and answered interview question after interview question about how much I like to outline. I’d map out plot points, chart out exactly what happens in each chapter, flesh that out into point-by-point descriptions of what happens so by the time I get to actually writing, all I have to do is turn notes into sentences. Some of my outlines wound up being over 10,000 words long.

So it was more than weird when I found myself totally unable to outline my latest project.

Before that, the closest I’d come to “pantsing” – that is, writing by the seat of your pants and making things up as you go without knowing where the story will take you – was last year when I started writing a novel two days after coming up with the idea. I had an idea for the general shape of the story and had maybe a sentence for what would go in each chapter, but that was it. To me, that counted as pantsing since I didn’t know what would happen within the chapter. And some chapters got cut when I got to them, some got added as I wrote because it seemed there was more needed for a certain section. It was disconcerting, but I was too impatient to get the book written to sit down and flesh out my ideas before actually writing sentences.

This latest project, though, I didn’t even have that skeleton of an outline. I tried—I really did. Several times, I jotted down bullets for what might happen in what order, but I always ran out of steam at the halfway point. I managed to come up with a vague outline for the first half of the book, but kept blanking on the second. Meanwhile, I intended to write at least 50,000 words for National Novel Writing Month, and it was just around the corner. So I decided I’d just start writing the first half and hope ideas would come for the second half by the time I got there.

They didn’t.

I let the book sit for three whole months while I worked on different projects, thinking hey, maybe I’ll come back to it, reread the first half, and come up with an outline for the second half. That… didn’t happen. No matter how many times I tried to hash out the plot for the second half the book, I kept drawing  a blank. It was weird. I really can’t explain why it wasn’t working out. Part of it might have been because I wanted to delve more into the characters’ internal thoughts, but I had no idea how that would play out on the page against what I wanted  them to actually do. Part of it might have been good old-fashioned writer’s block.

Still, I had an image in my head for how I wanted the second half to start. So finally, I thought: Why not just start writing it and see what happens? Maybe once I get started, the outline will come…

It’s been two weeks, and I’m still totally winging it. I’ve gone into chapters thinking things would go one way, but they wound up going another. I’ve finished chapters with no idea what would happen in the next. The only thing I do know is how I want the book to end, but so far, my characters are still winding their way toward it. For someone who’s as attached to their outlines as I am, it’s nothing short of WEIRD.

How did my writing  method do a complete 180? I wonder if part of it’s because this book is a sequel, and I know my characters and world well enough at this point to make things up as I go. This book’s plot is also a bit more straightforward than some of the others I’ve written. Also, it’s maybe the ninth or tenth manuscript I’ve worked on, so maybe I’m just getting more used to this whole writing thing, and the blank page isn’t as terrifying as it used to be.

Who knows. Anyway, people will be debating plotting vs. pantsing as long as writers write, but my personal experience has shown me that the dichotomy is false. Some people prefer one, others prefer the other, and it’s entirely possible to flip flop between the two.

I still plan to outline my next book—or at least attempt to. And I’ve outlined every short story (even ones as short as 3500 words) I’ve written in between composing the two halves of this current manuscript. So I wouldn’t call myself a pantser. But I suppose neither can I call myself a plotter anymore.

I suppose I can just call myself a writer.

Thursday, March 29, 2018

A Kindle Scout sequel

Hey guys! My kids are asleep, soundly, and I'm watching the second season of the Santa Clarita Diet. If you're not watching this gem, shame on you. It's fantastic.

So...I thought I'd do a follow-up to my second Kindle Scout campaign. The follow-up is, I didn't win. Which is a bummer. When you win, you get a $1500 advance, another round of editing, and Amazon's marketing power. That helped me loads when I won my first campaign in 2016. I guess I'm being greedy. Anyway, the big takeaway from my loss was Amazon's reason for it.

They said there wasn't as much scout interest in a sequel as they had hoped. And they cited a common occurrence--the return on investment isn't there for subsequent books in a series. At least, not from a publisher's standpoint.

This brings up an interesting phenomenon. Indie authors typically survive on series. That's their bread and butter. Some authors have a free or cheap starter as a way to funnel in readers to the rest of the books, and as readers get invested, they spend the money on the remaining books. So you might take a loss on Book 1, but you'll more than make up for it on Books 2-10.

But, I suppose that model doesn't work quite as well in traditional publishing, which Kindle Press kinda is. It's a unique model, one that I explain here. For KP, it makes more sense to pass on sequels because the authors will simply self publish them. This buoys the first book in Kindle's catalog without them having to invest $1500 to do it. Does that make sense?

I suppose I'm a glutton for punishment. I am doing a second campaign with a mystery standalone. I was so encouraged by Amazon's feedback on my writing that I can't help but hope they'll like a new story. And if not, well, it's ready to be published.

Wish me luck.
 
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