Monday, February 1, 2016

Presentation Essentials for Writers: Part 1


For some reason, I was thinking the other day about the training sessions I used to lead for my company on effective presentations. These thoughts quickly transitioned into how some of the tips I gave to countless corporate collogues could also benefit my fellow writers.

There’s the obvious—the tips that can help you speak more effectively about your work. This is necessary for not only book events, but also for those moments when you find yourself with a prospective reader, editor, agent, or publisher.

But there’s also the not so obvious—how using tips for effective presentations can enhance your writing.

Thanks to this being a Leap Year, I have the rare opportunity to bookend February here at Across the Board. This gives me the perfect opportunity to break this topic into two parts. Today I’m focusing on the not so obvious—how it can help our writing. I’ll address what you need to know when speaking about your writing in Part 2 on Feb. 29th. My focus will be on novels, but this applies to all types of writing.

4 Presentation Tips for Writing

1. Design the Close First
I tend to agree that the close is the most important part of a presentation. There’s a good chance your audience won’t remember everything you presented, so the close is there to remind them of the important aspects of your message. It’s also where your audience determines if you were successful in making your point.

It’s the same in a novel. As a reader, I’ve read several books where a rushed or incomplete ending killed the rest of the story. Take the time to think about your ending before you even write the first sentence.

I’m not saying that you have to draft out the entire last chapter first. You don’t even have to know the exact outcome before you get started. But you should know the general destination. You should know the primary message of your book. Once you have that, build the rest of the novel to arrive at that point.


2. Grab Attention & Keep the Interest
Studies have shown that in a presentation audience attention is high at the start of the presentation and then again at the end. Attention and interest naturally decrease during the body of the presentation. To deliver an effective presentation, you have to continuously grab the audience’s attention. This can be accomplished by injecting humor, using a personal testimonial, or engaging the audience. The change of pace will naturally regain the audience’s attention and interest.

The same can be said about writing. Readers usually start out a novel with high interest. However, if there isn’t enough ‘spice’ to retain the reader’s attention, they might give up or start skipping sections just to get to the end. I know the reader in me has done this on more than one occasion. I also get frustrated when an author baits me throughout the entire novel, only revealing secrets at the end. Below are some examples of what I’ve done in my own novels to grab the reader’s attention and keep their interest:

  • Revealed a big secret early in the book
  • Added in a one-page chapter after several longer ones
  • Interrupted the narrator at the end of a chapter to start the next one
  • Left a cliffhanger at the end of a chapter
  • Added in humor


Your options here are virtually limitless. I have to say that my most creative (and favorite) way that I’ve structured a novel to retain interest is in my third novel, Shattered Angel. Angel is given a choice where she only has 24 hours to decide. I start the novel at chapter 24 and count down to chapter 0 where I reveal her decision. Many readers have told me that it has kept them engaged late into the night!

Something important to point out here is that you don’t want to add ‘spice’ in every chapter. Too much and it loses its uniqueness and ability to grab attention.


3. Add in White Space
During my training sessions, I could never stress enough how important it was to have clean presentation materials. There is not much that will drop an audience’s attention faster than charts that are too small to read or slides completely blocked with text. If there’s too much on the slide, then the audience doesn’t know where to focus. In addition, the eye needs a place to rest.

In writing, I don’t classify white space as what you find in the margins or between section breaks. Those are important also, but here I’m defining white space as those story elements where the reader can take a breather. For example, I write emotionally heavy books. That means I have to be thoughtful about adding in lighter moments where my readers can escape from the emotions I’m driving into them. If I don’t, they may give up simply because it’s too much. Think about the primary emotions your novel carries and consider ways you can balance that. Even a thriller needs to take it down once in a while—readers may not have enough stamina to go 100mph for the full length of a novel! You don’t want to take the risk of a reader needing to put your book down for a break because they may not come back. Give them the breaks they need within the story.


4. Minimize Distractions
One of the things I had to cover in my training sessions was how our company logo should be respected. Many people thought it was ridiculous to have to remember where it should be positioned, how far text needed to be away from it, or what colors it could or could not be. Their argument was that the logo had nothing to do with the topic of their presentation. While that’s true in general, misuse of the logo was a big deal for the people in the audience who knew the branding guidelines. The result was that all of those people were suddenly only focused on the logo violation and not what the presenter was saying.

Distractions are dangerous because while they seem insignificant, the reality is that they can cause a major disturbance. Distractions in writing include (but are certainly not limited to):

  • Mistakes
  • Plot inconsistencies
  • Excessive use of adjectives
  • Use of complex language
  • Rapid changes of PoV


While it’s impossible to predict every distraction for every reader, you can think through some of the most common ones and work to ensure they are not in your writing. A good place to start is to list out the things that have disrupted your reading experience when reading a novel.


Incorporating these four tips into your writing will help you produce your best work, which will go a long way in your quest to build a loyal readership. Keep these tips in front of you as you write. You can also structure some beta reader questions around these points to help ensure you’ve covered them appropriately.

Come back at the end of the month when I’ll give you tips to use when talking to others about your writing!


~ Carrie

Thursday, January 28, 2016

Things Writers Do

A Post By Jonathan 


Before I kick off my post, I just have to say that I LOVE being part of this blog! There may only be eight of us, but we all seem to be at various stages in our writing journeys. I've gotten so much great advice and inspiration from our more experienced, published contributors, through posts like this one, this one, and this one, and I've gotten a ton of encouragement from my fellow newbes as well.

For me, moving my writing dream forward has been a real struggle lately, and to hear that I'm not the only one having a hard time helps me know that I'm not alone. The fact that we can come here, alongside such successful authors, to write about our worries and insecurities (through posts like this one, this one, and this one)... well, I just think that's what makes Across The Board unique-- and a great place to visit every Monday and Thursday. There's something for everyone! We may not all be experts, but we all share a love and passion for writing, and that has made all the difference.

Okay, I better get going before I start tearing up...

So what am I going to write about today? Well, I have been doing things writers do lately and I just thought I'd share. They may not seem like big deals to you, but they are the ways I've been slowly pumping myself up for the herculean task of editing my MS once and for all. It's what I do every time I've been out of writing for a little while (sadly, it happens). Small little things that will hopefully bring out the storyteller in me.

Writer Thing #1: Joined A Critique Group

Joining a new critique group can seem a bit daunting at first, but when you're not doing a lot writing-wise it can be a real lifesaver. It was like someone up there knew that I needed to find a little help from my writing friends. Out of the blue I got an email from someone who had connected me with an MG writing group previously (that unfortunately didn't work out) and bam, I was a brand new member of a brand new critique group in my genre. I'm hoping this will be a way to get a fire lit under my tookus and get back to ye ol' grindstone. Sometimes reading other peoples' work is a good way to get the juices flowing too, I've found. If nothing else, it'll be a great way to meet some new writers.

Writer Thing #2: Finished Reading A Book

I'm almost done reading The Wise Man's Fear, the second installment in Patrick Rothfuss's amaze-balls Kingkiller Chronicles. This guy's really shown me that you don't have to have huge explosions or breakneck pacing to put a great story together. Following Kvothe The Bloodless as he banters from scene to scene has been a joy and a true clinic in good storytelling. Sometimes all you need is a little inspiration to want to get back on the horse again. And there's just something about the excitement that comes with the ending of a good book that really makes me want to finish my own. Anyone else ever feel that way?

Writer Thing #3: Telling Stories

Lately, I've started telling stories the old fashioned way, without pen, paper, keyboard or ink. This is kind of a new one for me, as I've never really had an audience before. But it turns out my one-year old really loves the sound of my voice. He doesn't seem to want to go to sleep unless I'm talking. So I've taken to telling him stories, since he's still at the age where he'll just tear a book write out of my hands. At first I'd just do a simple retelling of Lord of the Rings or Star Wars, but recently I've been making up my own.

Last night I told him a story about a prince who lived in a silver castle that was so beautiful that everyone wanted to live in it. The prince's family was always fending off attackers from this army or that. The worst of them were the Black Knights who lived in a castle made of coal. Their castle was so dirty that no one would ever dream of living in it. Luckily, the Silver Nights were always there to defend the silver castle from harm, until one fateful night when the Black Knights overpowered them and took over the castle. The prince, who was also a Silver Knight, managed to escape along with the princess, but everyone else was killed. With nowhere else to go they went over hill and dale to the now abandoned castle made of coal. It was gross and dirty at first, but one day in his frustration, the prince hit the wall and discovered that if you hit it hard enough, coal will turn into diamonds. So he and the princess, and more displaced townsfolk, worked tirelessly to turn the coal castle into a diamond castle (but only on the inside so that no one would try to overtake it...), and everyone lived happily ever after. The End.

Definitely not my best work, but not too shabby for being super sleep deprived and making it up off the cuff. Even had a twist ending...

So these are just a few of the things I've been doing to prepare myself to get back into my writing. Thanks for reading! Any other suggestions?
    

 


Monday, January 25, 2016

Facebook Ads -- A (Novice) Overview

I've been running Facebook ads off and on for awhile now and, while I still have A LOT to learn, I thought it might be helpful to share some insights here.

  1. Before you start, I'd recommend Mark Dawson's free video series on Facebook ads. He introduces the Power Editor, targeting and general best practices in a clear, concise way. He metes the videos out via email over the course of four or five days, which feels frustrating when you want to get down to it, but does make it feel more manageable.
  2. As Mark Dawson (and many who do Facebook ads) will tell you, the Facebook Power Editor (available in Google Chrome) is the way to go! It allows you to include a lot more copy and its analysis tools are a lot more robust than in regular Ads Manager.
  3. Images are important! After all, the whole reason people are on Facebook is to look at pictures (and, today especially, check out how much snow everyone got).The image size for a single-image Facebook ad is 1200 pixels by 628. You also have the option of creating an image carousel and the image size for carousel ads is 600 pixels by 600. Either way, it's worth resizing your images outside of Facebook and then uploading. I use PicMonkey to edit and resize my images, but there are lots of options.
  4. Speaking of images, Facebook likes pictures! Images can't contain more than 20% text. This doesn't include book covers, if you're using your cover in your image, but it can feel a little tricky to get to that 20%. The workaround is, of course, to use Power Editor to include more copy in your actual ad.
  5. Facebook offers a tracking pixel and the code is easy to install on your website as a page header code injection. I confess, I'm still getting my head around pixels and I have this article bookmarked to read to educate myself. I will say that I've got one set up for my current set of Facebook ads, which sends people to sign up for my free book, and it's useful to see which devices people are clicking from, for example. Once my ad has run a bit longer, I can use the pixel to create a custom audience.
  6. Speaking of custom audiences, choosing an audience is another one of Facebook's great advantages and I could (should?) write an entire post on this alone. Until then, my two cents worth -- narrower is better. Lookalike audiences (similar to those who like your Facebook page, for example) are a good starting point. You may also want to consider choosing those who've expressed an interest in books similar to yours. So, for example, if you're a romance writer, you could choose everyone who likes Kindle and likes romance novels. Or, you could search for specific authors and choose those who like Nora Roberts, Colleen Hoover, Samantha Young, etc. My personal experience has been best with lookalike audience, but I've had friends who've had great success with narrowing by interest.
  7. No matter what audience you choose, keep your budget in mind! As you set up your ad, Facebook asks you to set either a daily budget or a lifetime budget (I always do daily.) and whether you want to set a maximum amount per click or let Facebook determine how much each click is worth. I always let Facebook decide, but I've heard a good ROI is $0.11-$0.14 per click. My ads aren't quite there yet, but I have noticed the more I narrow an audience the less my per-click cost.
  8. Which brings me to the most important point -- monitor your ads! It's easy to set it and forget it, but it's also easy to waste a lot of money on ads that aren't working. I usually start with a small daily budget (£5) and re-assess after a few days. I also make 3 versions of an ad across 2 different audiences to see which combination works best and then stop all of the other ads. It sounds more complicated than it actually is and is worth the time and effort.
As far as return on investment, I ran a Facebook ad for the launch of my new book in December and saw a steady stream of sales for both books in my series. I stopped the ad on January 5 and, well, let's just say I've sold fewer copies than there are days in the month. My new Facebook ad campaign focuses on gaining newsletter subscribers, so my current ads aren't "selling", per se, but sales have started trickling in again with exposure.

In all, it's worth it to me, although I have a lot more to learn. If you're an author, have you tried Facebook ads? If you're a reader, do you consider Facebook ads annoying or a way to introduce you to authors you may not know otherwise? Inquiring minds want to know!

Thursday, January 21, 2016

The Writing Slump

For those of you who don’t know, I’m turning the big 3-0 this year. I’m being a little bit cliche and have made a list of 30 things to do before (ish) my birthday in June. One of these things is to write. It’s been at least two years since I’ve really sat down and written anything for my personal enjoyment. So I decided to challenge myself to write a short story. It doesn’t have to “end” at a short story but I’d like to hit that mark starting off.

It’s been six months since I made this resolution. I’m an expert at procrastination so I will share some of my “excuses” with you in the hopes that you, dear readers and fellow bloggers, can help me overcome them.

1) I write for a living. Every day from 9 to 6 I am writing for a marketing company (about automobiles). So by the end of the day the last thing I want to do is boot up my laptop and put my fingers back to the keys.

2) I need to read. I read so much and have such a large TBR pile that writing consistently gets pushed to the back burner in the search for the next best story.

3) I’m overwhelmed. I have possibly 3 different stories in my head and don’t know which one to start with or really where to start.

4) I’m critical of myself. I’ve always been my own worst critic and in the case of writing that mentality usually stops me before I even start.

So, here’s my call for help. Help!!! I need some guidance from my peers on this one. Where does your drive come from? How do you discipline yourself? Where does your inspiration come from? Any tips, tricks, suggestions will be helpful and welcome! Thanks in advance.

Monday, January 18, 2016

The Reading Slump


As readers, there's always the risk of ailments we'll suffer. The book hangover, one more chapter syndrome, the ugly cry, spoilers, etc. Right now, this reader is suffering the reading slump. As in, I can't get through a book.

Oh, I've tried.

I made it a few chapters into The Martian before gently and temporarily setting it down for a book more appropriate of my mood at the time. Given, I did finish Paper Towns by John Green, but I dragged it out way longer than I needed to because, well, reading slump. I've tried listening to an audiobook, the next in a series I've really enjoyed. I'm also most of the way through Fight Club by Chuck Palahniuk, one of my favorite authors, most of which was read through in one day. But I just can't find the final push I need to finish it out for no other reason than reading slump.

I think it's possible the last book I read before this reading slump was Truths We Tell, book two in the Truth series by our very own Brenda St. John Brown. That was back in November, which should stand as an example of how bad of a slump I'm in. November. Of last year.

Usually, the reading slump is treated with the right book at the right time, but my book choices and timing haven't been matching up. There is hope, though. While catching up on my shows and sewing this afternoon I saw the trailer for The 5th Wave and it caught my interest enough that I'm contemplating jumping into it before the timing escapes me. Wish me luck!

In the event the next book is also a bust, what is your go-to to pull you out of a reading slump?

--Brianna Lebrecht

Thursday, January 14, 2016

Back Jacket Hack-Job #8: FINNEGANS WAKE

Another quality post brought to you by Steve!
amazon.com/author/kozeniewski
Well, hey there everybody!  Welcome back to our recurring series Back Jacket Hack Job.  I'm sure you'll pick up what it's all about fairly quickly, but if not you can take a look back at our introductory post.  Oh, and we here at Across the Board are always eager to hear from fresh talent, so if you'd like to write your very own BJHJ and have it featured here on the site, just feel free to reach out to me or one of our other contributors.

Since last time I wrecked up my own novel, BILLY AND THE CLONEASAURUS, I thought this time I would feature something a little more popular.  In fact, I thought I would feature a work that towers over all others, the crowning achievement of history's greatest author.  I refer, of course, to the greatest English-language novel of all time: 


Ah, FINNEGANS WAKE.  Normally when writing the back cover of a novel I would start with the characters.  Except...that there are none.  Or, well, there may be some.  There could either be thousands or there could be a few iterations of the same five or so.  One of whom might go by the initials HCE?  No one's really sure. 

So characters are right out.

But that's all right.  I'll just outline the plot.  Well...except...the thing about that is...there is no plot.  I mean, there may be a plot.  But if there is it has something to do with a family sleeping and the text of the novel being their dreams or possibly their shared dream?  Honestly it's really not that clear. 

So plot is right out.

That's all right, though!  HARRY POTTER would still be just as fascinating if all you knew about was Hogwarts Academy.  So let's just jump right into the setting.  Well...only...the thing about that is...there's no setting.  I mean, there might be a setting.  It's possibly that there's a house that everyone's sleeping in.  Except...even scholars don't really know for sure.

So setting is right out.

Um.  Not a whole lot to work with here.  Oh!  I could explain the title!  Except...well...there's no one named Finnegan.  And they don't have a wake.  And it's probably not even really about the wake of a guy named Finnegan because then the title would be FINNEGAN'S WAKE with an apostrophe and not FINNEGANS WAKE which may or may not be a play on words about a group of people named the Finnegans who wake up.  Except nobody really knows.

So the title is right out.

Uh...

Oh! 

You know what, when all else fails, you can throw an excerpt on the back cover.  So let's do that.  And I don't want there to be any spoilers, so let's just grab a couple lines from the first page.  And here we go:

"Bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk."

Uh...capti...captivating stuff there, Mr. Joyce. 

Jesus Christ.  Maybe there's a diagram that could explain it.  Hang on, let me check online.  Oh shit!  There is.  Check this out:
Oh...kay.  So, uh, there...there you go everybody!  There's your back cover for FINNEGANS WAKE.  That should just about clear everything up.  Enjoy?

Monday, January 11, 2016

How to make a book trailer on the cheap

A post by Mary Fan
Book trailers are fun. No one can say for certain whether they actually help boost sales, but they
certainly don't hurt. And personally, I find them a lot of fun to make.

There are several different types of book trailer out there, and which book gets what type depends on budget. For instance, if you're a Big Cat Publisher like Hachette, you can made a full-blown Hollywood-style trailer with lights, camera, action, and all the bells and whistles:


If you you don't have $30,000 to spare (that's a guess... I have no idea how much a live-action trailer like that would cost, but I did work on a 2-minute animated promo video at my day job, and that cost $30,000), don't despair. You can still have your book trailer and watch it too.

Unlike movie trailers, which show actual footage from the film to tease the audience, a book trailer doesn't have to be precise. It's more about capturing the atmosphere and idea of a book than the actual events (similar to what many book covers do). The genre and mood matter more than whether the house depicted in the trailer looks like the house described in the book.

This is how to make a basic book trailer on next to no budget. All you need is a computer, simple video editing software (like iMovie), and an internet connection.

Step 1: Choose the music

Nothing sets a mood like music. Or sets up genre expectations. For example, when I worked on the trailer for Kelley Kaye's cozy mystery, Death by Diploma, we used circus music to depict the frenzy of the main character's life and the quirkiness of the situation she finds herself in:


The stock music site Audioblocks has tons of options, from epic orchestral soundtracks to soft piano melodies. And you should be able to sign up for a free trial, so if you just need to download one song, then your budget for music is exactly zero dollars.

Step 2: Write the script

A book trailer's script is similar to the back cover copy. It should introduce the main characters and central conflict in a nutshell and leave the reader wanting more. This is probably the hardest part about making a book trailer. You don't want the script to be too long, since people who watch trailers have short attention spans. Ideally, a book trailer should be under 90 seconds long (two whole minutes is pushing it).

The reason this step comes after choosing the music is so you can time the script to the musical cues (it's much easier to adjust text than to edit a sound file). Depending on what you're comfortable with, you can either narrate your book trailer, like this...



Or use text only, like in the first example. When using text, though, timing becomes even more important, since you don't want to bore your viewer by having them stare at the same line of text for 10 seconds, but you also don't want to make the text go by so fast, they can't read it.

If you have blurbs or customer reviews already, you can also include those, like this...


iMovie cheat: If you want to use a font that's not in their options but have it on your computer, you can type the text into a Word doc, then copy and paste it into iMovie. You won't be able to change the alignment from left, though.

Step 3: Choose the video and/or images

The next step is to find the right visuals to illustrate your script. These can be either videos, still images (though if you use stills, add a panning or zoom effect to keep the trailer from becoming static), or a combination of both. Again, it's more important to capture the mood of your book than illustrate the literal events.

For instance, when putting together the trailer for Traci Borum's Christmas-themed novel, Seeking the Star, we focused on finding images of winter and old-fashioned Christmas decorations, rather than trying to depict the characters or events.



Of course, this doesn't mean you shouldn't pair words with images that match when possible - just that it's not 100% necessary (and sometimes not 100% possible, depending on what kind of book you wrote. I had a lovely time searching for visuals for my space opera...).

The stock footage site VideoBlocks has a lot of options, though some types of footage are easier to find than others (basically, you're going to have an easier time if you're doing a contemporary novel than sci-fi/fantasy). You can sign up for a free trial, which means so far, no money spent. If there are items around your house or buildings in your area that you think would illustrate your story well, you can also take your own footage (you don't even need a fancy camera... since web videos are small anyway, a smartphone will do). For the Oracle of Philadelphia trailer, I whipped out my iPhone near some local gothic buildings to get those shots depicting hell (hell in the book is a gothic mansion).

For photos, you can get cheap stock images on Dollar Photo Club, or take pictures yourself (some of those Christmas pictures in the Seeking the Star trailer were ones I snapped at a tea house during my travels).

You don't necessarily need a lot of visuals. For the Sleeper Protocol trailer, we focused on the text and pacing, with a few images interspersed to bring the words to life:



Step 4: Edit it all together

Now that you've got the ingredients, all you have to do is piece it together! Personally, I like to match downbeats in the music to changes in text and footage, since it tends to emphasize the words and drama more. Especially when the music has very strong beats, like in this one:


When it comes to transitions, keep the pacing in mind. If you're doing a slower-paced trailer (like the one for Seeking the Star), page-turns and fades work well. Fast-paced trailers (like Seeing Evil) pretty much require cuts only. The music will largely dictate the pacing.

You can also use different text colors and effects (iMovie comes with a handful), though use sparingly, since too many sparkles become annoying.


Fair warning: The editing process will probably take longer than you think, just because there are a million ways to tweak the timing and trim footage. And you might end up adjusting the script slightly depending on how things are looking in practice.

That's it! After that, you have a book trailer!

Oh, and just because, here's the trailer I made for my very own Jane Colt trilogy...




 
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