Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Monday, September 12, 2022

Publishing Newbie FAQs

Hi everyone! Mary here, and a few weeks back, I got an email from a writer friend who'd been working on his manuscript for a while but didn't really know how to go about publishing it. He asked a bunch of questions, and I wrote a huge long answer. Realizing that these were pretty common newbie questions, I figured I could adapt them for this blog.

These days, there are more publishing options than ever before, and it can be overwhelming for writers to figure out which path to take. As someone who's tried most of them, here are my thoughts on a few FAQs:

Do you need an agent?
If you want to gun for the big publishers, then yes, as these publishers don't accept unsolicited manuscripts directly from authors. However, many smaller publishers do take direct submissions, in which case an agent is unnecessary.

How do you get an agent?
There are databases of agents online (here's a popular one https://querytracker.net/). Search for agents who represent your type of book (e.g. thriller, or romance, or memoir), and send your submission according to their guidelines. All will require a query letter - essentially, a letter introducing your book with the title, genre, word count, and a short pitch. Some may also request additional materials like a synopsis or the first few pages of your book. Read each agent's submission guidelines closely before querying.

Pros and cons of an agent
Pros: Your agent finds and submits to publishers on your behalf, negotiates the contract, and generally handles the business stuff for 15% of what the publisher is willing to pay for the book.

Cons: Long wait time to even hear back from agents you're querying, let alone find one who's a good match. Rejection rates are extremely high these days, just because of the volume of writers submitting. And if you're lucky enough to snag an agent (as I was), there's still more waiting... waiting for the agent to read your book, comment on your book, decide it's ready to submit. And after all that, publishers might still reject your book. An agent is not a guarantee of a publishing deal.

What about small / POD presses?
Small / POD presses come in many shapes and sizes, so be sure to carefully vet whoever you're submitting to. Some are small traditional operations who print books in bulk and send them to brick-and-mortar bookstores. Others are individuals who publish books as a passion and utilize Amazon's print-on-demand abilities. And there are shades of gray in between.

Pros: The right small press can be a great partner. You'll get lots more attention from the editor than you would at a big press, and probably more say in things like cover art as well. Generally, a small press will edit your book, provide cover art and formatting, and distribute your book. In short, by the end, you'll have a book in your hands

Cons: Small presses don't have much, if any, marketing reach, so you probably won't sell many more books than you would self publishing (this will vary widely by press). Also, there are some shady operations out there. Some small presses will take any book, slap a low-quality cover on, chuck it on Amazon with no editing, and leave the rest to you. Some will be well-intentioned but clueless (I fell prey to one of these)... they'll have big ideas and make big promises but be unable to deliver. My book was stuck in limbo for 4 years because of a well-intentioned but clueless small press. And some will just be sketchy... there might be issues with payment, for instance. Your book could get snarled in contracts that prevent you from getting your rights back while they fail to pay you.

With any kind of publisher, big or small, working with them means giving up some control of your book. For instance, my editor for Stronger than a Bronze Dragon made me shuffle around some chapters and add a few new ones. My agent for Starswept made me rewrite half the book before she would even submit it to publishers. Not all editors / agents will do this - some will be happy to take your book as it is with a few light suggestions. You have to decide how much control of your book you're willing to give up, and then, as you're vetting potential agents or publishers, see whether they're going to be a good fit based on that (I've known of instances where a book was accepted by a publisher but the author wasn't willing to make edits requested, and so the book was canceled).

Self-Publishing
This is where you turn yourself into a publisher. You hire an editor, cover artist, and formatter, and upload the book to Amazon (or another self-publishing service) yourself. 100% of control is yours.

Pros: Your book, your way, your own timeline. You could upload your book to Amazon tomorrow and it'll be in your hands in a week. Or you could take your sweet time finding the perfect cover artist and making revisions, with no one hurrying you. You are the boss.

Cons: Expense - you'll be paying for everything that goes into producing the book. You'll also keep whatever money you make off of sales, but it can be very hard to recoup the costs. You'll also have to do your own marketing and outreach, so the chances of your book reaching a wide audience are slim given how crowded the market is. Also, some people can be snooty about publishing and look down their noses at self publishers, though there've been enough high-profile self-publishing successes that this attitude is starting to change.

Which publishing route you take really depends on what you want to get out of it. Do you want your book, your way, in a timely manner? A book you can be proud of and share with family and friends, that you're happy is out there even if it never reaches bestseller status? And are you willing to pay for it yourself? If so, then self publishing is for you.

Do you want a shot at the New York Times bestseller list, even if it means years and years of work and rejection with no guarantee of any reward by the end? Is the reward worth the gamble, even if it might mean you'll have to rewrite significant parts of your book? Then try to find an agent, who can later submit to large presses.

Do you want your book in your hands, but you want someone else to take care of the production, even if it means giving up some control? Do you not care too much about what kind of reach they have? Then go for a small press.

BEWARE OF SCAM PRESSES AND AGENTS
There are some "publishers" and "agents" out there who prey on new writers' dreams. The red flag is if they ask you for money to publish your book. Common tactics are saying they'll publish your book for a fee (usually thousands of dollars), requiring that you buy hundreds or thousands of copies of your own book, or requiring you to hire an expensive editor that they select.

Paying a freelancer for a specific service - such as editing, or artwork - is different from paying to publish. There are also self-publishing consultants out there who can help with the process for a fee; these are also different from the scammers in that they'll be very upfront about the fact that they are NOT a publisher.

Thursday, February 27, 2020

Getting Over Crushing Disappointment: A how-to guide

Good morning, fine folks. It's KGG, coming atcha from a very dry Poconos. This is the first year in a loooooong time where there is no snow on the ground. Not one flake. Nada. In fact, a few days ago, it was sixty degrees! My kids went out to play. In February. Wearing sweatshirts. I feel bad being so happy about it because of climate change, but man, do I hate snow. Anyway, small pleasures.

So recently, and I mean very recently (like days ago), I received disappointing news. My manuscript had been rejected at the acquisitions stage for a big publisher. I received a lovely email from the editor with praise and an invitation to submit future work, but the news still stung. I wouldn't be a human being if I wasn't massively bummed. No matter how much someone tries to temper expectations, they still can't help but imagine how their Publishers Marketplace announcement will read. Again, I'm human.

Now it's typically not proper etiquette to announce submission rejections, and I certainly don't suggest you do that (especially via Twitter) but I am not on submission. I am not even agented. I was able to submit to the editor directly via referral. It was a special situation, and I am grateful for both my friend and the editor who was willing to take the time to consider my work.

But there is a takeaway here, not just for me, but for you. You see, publishing is a difficult industry. It can make fortunes and break hearts. It can be both elevating and soul crushing. Business and art really are strange bedfellows. It amazes me how any of us end up here at all.

So in light of my blech news, I thought I would share my guide on how to best get over disappointment. Because it isn't the end of the world. It just feels that way.

1. Feel free to wallow

There is no rule that says you can't simmer in self-pity. Can't marinate in melancholy. Can't dabble in doubt. You totally can. I give you permission. Just don't let it take over your life. Mourn your loss for a little while, and then work toward the light.

Speaking of work...

2. Dive back into that project, or start a new one

Work is good for the soul. I took a few months off from writing because of reasons and if I had just kept working, I'd be done by now. It's really hard to dwell on the past when you're moving forward. No better way to get over a breakup then dating someone new. So date that new manuscript. Let it take you out to dinner; tell you you're pretty. Just move on.

3. Remember that all roads are bumpy

Getting turned down by an editor or agent is not failure. It's simply one step in a long journey. Getting to acquisitions is the furthest I have ever gone in a traditional publishing career. And it's a huge accomplishment that signifies I am making great strides. Someone saw potential in my work. Someone else will too one day.

4. Get communal

Oftentimes disappointment is a difficult hurdle to get over because we feel so alone. How can so-and-so understand my struggles when they're published and I'm not? Except we know that is not true. All writers have been told NO countless times. Before you stew in your solitude, jump online and connect with other writers who are going through similar struggles. Batting about your pain with colleagues will eventually lessen it.

5. Take control

One of the most frustrating aspects of the traditional publishing business isn't just the waiting game, but the lack of control. You can write a great story, but you can't make agents and editors read it or consider it faster. Once it's in someone else's inbox, all you can do is wait. [Why is it so slow? And what is everyone doing?] I've self-published quite a few novels and I love the immediacy of getting my work out in the world. If you're committed to traditional publishing, might I suggest self-publishing a short story or two? Or write some fan-fiction and throw it up on AO3. It's rewarding to see your work resonate with readers, especially when you've been rejected.

6. Buy yourself something nice

We often treat ourselves in celebration, but why not buy ourselves something as a pick-me-up? Not gonna lie, I had plans to book myself a facial if I had gotten this deal, but failed to make the appointment when I got the news. But all that does is teach me that I'm only allowed special treats when I have success. Only I did the hard work regardless. So book a massage. Buy those fancy pens. Order that handmade journal off Etsy. Sure hard work is its own reward. But so is a spa day.

7. Embrace the bad

A friend of mine often tells me that there are no absolutes in publishing. One year, an author is a New York Times bestseller; the next, they are being dropped by their publisher. This business is unpredictable, so don't try to predict it. And don't think once you've gotten some success, it will keep. It may not. Be prepared for disappointment and you'll never be disappointed. Huh.

8. Change the system

And lastly, if something is repeatedly not working, then work around it. Make a big change. Be it your agent, genre, writing environment, process--whatever. Remember, we are not helpless. Fix the problem. Don't dwell on it.

I hope this helps someone as much as it helped me writing it. Feel your feelings, but then move on. You've got work to do.


 
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